A Symbol of Peace and Peace Education: The
Genbaku Dome in Hiroshima
by Kanako Ide
Introduction
There are numerous paintings expressing both the glory and horror of
war. These pictures are a powerful medium in peace education. According
to Peter Burke, images of war have historically shifted in Western society.
Until the 1800s, paintings of battles were mainly informed by "the virtue
of war" because the images of wars were created according to the
notion of heroism. However, Burke points out that, after the 1800s, the
horror of war has been more prominently depicted. David O'Brien discusses
this transition by analyzing paintings of the Napoleonic period. According
to O'Brien, the painting of Napoleon's failure at the Battle of Eylau
did not convey the beauty of war but rather its misery. As the concept
of war changed from hero to nation-state, battle images were significantly
transformed. Specifically, since mass destruction became possible because
of advances in military technology, the number of civilian victims became
much higher than previously. Consequently, representations of war emphasized
this escalation of suffering and misery.
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