Rembrandt and Learning
by
Ralph A. Smith
It appears to be a defining characteristic of Rembrandt's works—as
important as the brushstrokes, the underdrawing, the types of ground and
the paints used—that they move people exceedingly. [T]hey
help us feel something of what the artist may have felt about youth, old
age, friendship, isolation, and love.
— Anthony Bailey
[For] Rembrandt, imperfections are the norm of humanity, which is why
he will always speak across centuries to those for whom art might be something
other than the quest for ideal form.
—Simon Schama
Art can arouse the senses, touch the feelings, and stir the passions.
In exercising these formidable powers, the artist should respect certain
limits of good taste and moral propriety. Rembrandt possessed unequal
skill in depicting the passions in original ways without breaking the
code. Well, hardly ever.
— Gary Schwartz
Introduction
The National Endowment for the Humanities (NEH) Rembrandt Project was
designed to apply state-of-the-art digital technology to the development
of the multiple competencies needed for understanding and appreciating
Rembrandt and his time. As educational consultant to the project, I was
given the assignment of conceptualizing a framework that would accommodate
and illuminate the project's purposes. This meant that I not only had
to refamiliarize myself with seventeenth-century Dutch art and culture
and with the national and state standards for the visual arts but also
acquaint myself with the standards for socials studies; both sets of standards
occupy a prominent place in the project and are the subject of the third
section of this article. The overarching viewpoint from which I approached
my assignment, however, was that of the humanities, a topic to which I
turn first. Furthermore, since the project's foremost concern is with
masterpieces of the visual arts, I thought it apposite to address briefly
some issues in aesthetics, especially those that relate to experiencing
artworks appropriately. Having surveyed the project from the perspectives
mentioned, I then ask to what extent it was successful in avoiding the
pitfalls that often frustrate the implementation of novel ideas and methods.
|
|